#Dirty heads discography kat plus

I just didn't have the confidence and connections when I made One/Three.вЂќ Migrating from the latter's exclusive instrumental style to an MC-related project was a natural step.Д«egun in 2003, Two/Three's sound doesn't come as a total shock, with some of it-вЂњGame Over,вЂќ вЂњNite Eats Day,вЂќ the Beans cut featured (though in radically different form) on the recent Additional Productions Vol.

#Dirty heads discography kat plus

J Dilla's techniques of metric modulation and combining time signatures left a huge impression.вЂќ Though the auspicious One/Three was rapturously received, Mullinix discovered he was being referred to as a 'click-hop' artist, a realization that only intensified his focus on hip-hop in his own words, вЂњI'd always wanted to take Dabrye into a full-on hip-hop context since I felt that the work wasn't being seen in the right light, plus I always wanted to work with MCs. I was heavily influenced by Jay Dee (James Yancey aka J Dilla), RZA, DJ Premier, and an instrumental hip-hop cassette mix called Fresh Produce by DJ PNS. In fact, One/Three represents nearly all of my first hip-hop tracks. Asked about the lurching style that emerged fully-formed on One/Three, Mullinix says, вЂњWhat people call my signature sound comes totally naturally and is a product of my influences and intuitive musical aspirations. The arrival of Two/Three once again shifts the spotlight to Dabrye. 1, Ghostly's Idol Tryouts volumes, ~scape's Staedtizism 4, Fabric 15 and 26), remixes (Bus's вЂњKeep Life Right,вЂќ Brian Aneurysm's вЂњDas Element Des Menschen,вЂќ Some Water and Sun's вЂњSnowbreakerвЂќ), and collabs ( One Word Extinguisher's вЂњUprock & Invigorate,вЂќ Thomas Fehlmann's Lowflow). Of course, adding to Mullinix's burgeoning CV are Dabrye and JTC guest shots ( Spectral Sound Vol. Aside from One/Three, the Dabrye discography includes Instrmntl, the set issued on Scott Herren's (Prefuse 73) Eastern Developments imprint, while the JTC catalogue includes the acid-house EPs Mind Your Manners, Buck!, and Press Your Body and the mesmerizing full-length The Dancing Box. Selected by Carl Craig to perform at the second Detroit Electronic Music Festival, Mullinix introduced his Dabrye and JTC personae in 2001.

A serendipitous encounter with Ghostly head Sam Valenti IV at the store led to Mullinix's signing and the release of Ghostly's inaugural full-length Winking Makes a Face, a classical-beats fusion that he followed in 2002 with Panes. Moving to Ann Arbor, he found work at Dubplate Pressure, Todd Osborn's record store, the two eventually collaborating as Soundmurderer and SK-1 on roots-ragga 12-inch discs issued on their own Rewind! Records label. Opting thereafter to work alone, he also decided against attending college, not only because of cost but because it would interfere with his ambition. Having acquired a classical background through private cello lessons, his interest in the instrument gradually waned, as did his desire to play in high school bands following experiences with punk and shoegazing outfits. His mom's collection-Eno, Gary Numan, Talking Heads-had a huge impact on his вЂњcurrent musical syntaxвЂќ and, in time, his listening appetite grew to include Public Enemy, Jeff Mills, Aphex Twin, Gangstarr, Plug, Steve Reich, Morton Subotnick, and others. Michigan-born Mullinix grew up in Florida (from two to nine years of age) and in and around the Troy area of Michigan. Furthermore, the man's output is prodigious: in addition to Two/Three, there's new James T Cotton (JTC henceforth) material (12-inch releases Oochie Coo on Spectral Sound and Dance of Death on Udek Records) and an upcoming sophomore EP by 2 AM/FM, the outfit Mullinix partners with roommate D'Marc Cantu.ДЄ little history first. After all, Ghostly idol Tadd Mullinix has been casually fomenting mini-revolutions in hip-hop and acid techno for awhile now with the new material, if anything, coming across like a veritable manifesto for visionary experimental hip-hop. As much as the album's long overdue (in the works since 2001), so too is an in-depth profile. A radically innovative progression from One/Three, the new release-twenty gritty instrumentals and brain-addling MC tracks featuring MF Doom, Vast Aire, Beans, Jay Dee, Phat Kat, and others, plus two production collabs with Wajeed-throws down a serious gauntlet. Might 2006 be 'the summer of Dabrye'? With Two/Three dropping in June, there'll be ample opportunity to hear the disc's spellbinding material booming from speakers throughout the land.